“In the last few years, I’ve grown so much,” Elaina Kay says. She’s home in Dallas, reflecting on the relentless touring, writing, singing, and gypsy living that has culminated in her anticipated new album. “I’m not that small town ranch girl anymore,” she says, then with a smirk, she adds, “I run with the boys.”
Elaina talks like she writes: defiant but vulnerable, hopeful but wry. Her new album wraps all those occasionally opposing forces in Elaina’s signature ranch rock-and-roll to create a modern portrait of steely femininity that’s sad, funny, and ultimately, inspiring. “I don’t want to be a victim,” she says. “I just want to be independent.”
Elaina comes by her self-reliance naturally. She grew up on her family’s ranch in Wichita Falls, Texas, 15 miles south of the Oklahoma border. Up at 4 a.m. every day, she helped farm and raise cows and cutting horses. “There was always something to do––lazy wasn’t an option,” she says. “Then, it was a pain in my ass, but now, I miss it. Especially when it’s sunny outside.”
In between ranch chores at dawn and dusk, Elaina discovered music. Her grandmother, Meemaw, noticed, and took her to perform at county fairs, beauty pageants, nursing homes, and everything in between. Elaina remembers vividly when she began composing her own songs. They were living in a single-wide trailer while her dad built the family a new house. “He was stubborn and building it by himself,” she says. “He said, ‘We’ll be in this trailer for six months.’ Well, we ended up being there for about three years. I hated it. But now, I see I had more fun and more great memories living in that trailer. That is where I really started writing.” Country kids are the last to be dropped off, so on long bus rides home from school, she also took pen to paper.
For college, Elaina loaded up two horses and her dog and headed to Tarleton State University, where she joined the rodeo team. “Rodeoing trained me to be on the road like I am now,” she says. “I was traveling then, too, just with horses instead of with long-haired dudes in a band.”
Elaina loved to rodeo, but she realized she loved music more. So she took her horses home and hit the road, this time with her guitar, singing songs in clubs throughout the South. Nashville beckoned, and without a safety net or fully formed plan, Elaina packed up and moved to Tennessee. She rented a room for a few months in what she became to know as the “rock hostel,” a three-story house full of boys in bands. Elaina didn’t know a soul, but she jumped in, wrote more songs, and made more friends––including fellow Texan Paul Cauthen.
Nashville wasn’t bad, but it wasn’t home. Like many who’ve come before her, Elaina missed Texas, and made the decision to move to Dallas, where she’s based today––but not before honing her writing chops and expanding her circle of collaborators.
Produced by Paul Cauthen and engineered by Jeff Saenz, the new album was recorded at Modern Electric in Dallas. Backed by Paul’s studio ringers the Texas Gentlemen, Elaina’s moody soprano slides from breathy storytelling to golden-era country songbirding and back again, nuanced and captivating. She wrote or co-wrote every track, and the result is a layered collection that is both starkly personal and intensely relatable.
Asked what she hopes listeners experience when they hear the new songs, Elaina is resolute. “When I write a song about something, I’m over it––I can close that book and move on with my life,” she says. “That’s what I want for people who listen to my songs. If one of my songs could get someone to that other side, like it has for me, that’d be the coolest thing.”